“It’s so funny to me that Andy Milligan has become this great cult figure,” Laura Shaine Cunningham told IndieWire. To Cunningham — an author and playwright who describes her stint in Z-grade movies ...

When Kathryn Bigelow’s nuclear countdown thriller “A House of Dynamite” premiered at the Venice Film Festival in early September, it was greeted with a chorus of praise. Just about every critic there ...

Lis Rhodes, Journal of Disbelief (2016) (Still) (all images courtesy of Nottingham Contemporary) The British experimental feminist filmmaker Lis Rhodes is being recognized in England, at Nottingham ...

I love a good action flick. I really dig B-movie icon Cynthia Rothrock. And I have a major soft spot for the made-for-TV movies of years past. On that basis, I have nothing but love for Kevin Hooks’ ...

I am beyond pleased to speak to the merits of an iconic grindhouse actioner today. John Carpenter’s Assault on Precinct 13 is one of the most seamlessly executed exploitation films ever made. The ...

Decades before “The Hunger Games” and “Talladega Nights” brought Hollywood productions to Charlotte, a handful of locals gave independent movie making a shot with varying degrees of success. “The ...

The 1970s blaxploitation subgenre holds a complex history in Hollywood. The bright spots of the category are the lessened barriers of entry it shaped for black artists. RELATED: How 1971 Films Like ...

Ryan Heffernan is a Senior Writer at Collider. Storytelling has been one of his interests since an early age, with his appreciation for film and television becoming a particular interest of his during ...

The cracked auteurism and callous commercialism of the '60s cult figure live again at New York's Tribeca Festival. IndieWire hears from the people who lived and helped revive them. “It’s so funny to ...